Theatre

 

Bucharest Jewish Theatre

 

The Jewish Theatre in Romania has a 130 years long tradition. It began in 1876 in Jassy, when Avram Goldfaden laid the foundations of the first professional Yiddish theatre in the world. Continuing this tradition, the State Jewish Theatre in Bucharest (with Harry Eliad as director since 1990) is striving to maintain alive the flame of Yiddish language and culture. The performances are unique through their special humour and melancholy, the charm of klezmer music and Jewish folk dances.

In the last two decades the theatre has toured successfully in the USA, Canada, Israel, Germany, Austria, Russia, Switzerland, Hungary, Great Britain, Greece, and has participated in several international festivals.



The musical Menachem Mendel, a Businessman is an adaptation signed by stage director Harry Eliad after the novel of Shalom Alechem, the great classic of Yiddish literature.

Leaving his wife and kids at home in Kasrilifka, Menachem goes away to try his fortune as a “businessman”. Joining together traditional Jewish songs and dances, the performance offers a tender and ironical picture of Eastern Jewish world at the end of the nineteenth century.



The One Who Gets Slapped, a symbolistic play by Russian writer Leonid Andrejew, staged by Kincses Elemér, is a dramatic love-story between an aristocrat taking refuge in the world of circus and becoming a clown under the name of The One Who Gets Slapped and the beautiful rider Consuella…

Bühnenbild: CLARA LABANCZ

artistische Regie und Musik: KINCSES ELEMÉR

 

 

“A Businessman ” - May 8, 2007, Stadt Theater, 20:00

“The One Who Gets Slapped ” - May 10, 2007, Stadt Theater, 20:00

 

The Comedy Theatre

 

The Comedy Theatre in Bucharest is a repertoire theatre established in 1961. Dedicated to the comic genre in its wide variety, ranging from boulevard comedy to the theatre of the absurd, the Comedy Theatre is unique in Romania.


In the '60s the Comedy Theatre went through a process of artistic synchronisation with the world theatre movement: this was proved by the Prize of the Nations' Theatre for the Best National Participation awarded in Paris in 1963 for the performances “Rhinoceros” by Eugène Ionesco, directed by Lucian Giurchescu and “Troilus and Cressida” by William Shakespeare, directed by David Esrig. The tours in 1991-1992 in various cities in the United Kingdom, Columbia, Venezuela and Canada with the performance “A Midsummer Night's Dream” by William Shakespeare directed by Alexandru Darie brought the Comedy theatre back on the international stages. The quality of the present company, the value of the guest-performers, the quality of the performances launched recently, the establishment of the Festival of Romanian Comedy and of the Romanian Comedy Contest are but a few of the elements that place the Comedy Theatre in the top of preferences with the public and the specialised press in Romania.

 

“The Inspector General”, by N. V. Gogol, one of the masterpieces of world literature, speaks to one generation after the other about power and its illusions, about bureaucracy and corruption.

Somewhere far away, in a geographic and spiritual province, a traveler recently arrived from “the Capital City” with his servant is mistaken for an inspector general supposed to inspect the state of things in the City Hall. An evil mechanism is triggered, involving high flattery and corruption. The truth finally comes out, everything turns upside down and characters reveal their true nature.

The character of the Mayor offers George Mihăiţă the opportunity of a great part, of strong dramatic impact, on the verge between the grotesque and metaphor. The performance is signed Horaţiu Mălăele (one of the main Romanian actors). Starting from the huge richness of the text, he offers each actor of the company the opportunity to play a part that is polished like a jewel.

 

May 16, 2007, Stadt Theater, 20:15

 

Nottara Theatre

 

The NOTTARA Theatre has defined itself as a repertoire theatre, with a distinct personality in the Romanian artistic landscape. It pays special attention to the great universal repertoire, but also to classical Romanian drama. It staged absolute premieres, most important Romanian authors were played and many contemporary playwrights were promoted by this theatre.

At present, the NOTTARA Theatre, led by the well-known theatre and film actor Mircea DIACONU, is a public cultural institution under the authority of the General Council of the City of Bucharest, operating as a permanent company with an artistic staff of 42 employed actors.

“RHYTHMS” - The Romanian traditions show
The show starts from a selection of texts made by the researchers of the Folklore Institute and its topic consists of the most important moments in the cycle of life - birth, marriage, death, as they are reflected in the Romanian traditions.

In its design, the staging is based on rituals, folk theatre techniques, authentic musical texts linked to these events, making up a show with a dominant visual character, accessible to the audiences of any European culture.

This approach of Romanian specificity in a universal language is the ideal solution for the reception of Romanian theatre abroad and for overcoming all language barriers.

The show can be performed on a usual stage, as well as in non-conventional spaces.

The main contributors are: Iosif Herţea (music), Miriam Răducanu (choreography). With: Crenguţa Hariton, Gabriela Crişu, Ioana Calotă, Raluca Gheorghiu, Cristian Nicolaie, Bogdan Vodă, Lucian Ghimişi, Ion Grosu.

 

 

May 11, 2007, Stadt Theater, 20:15

 

 

 

ACT Theatre

 

The “ACT” theatre is the first independent project theatre in Romania and is located at 126, Calea Victoriei. It opened on September 24, 1998. The succeesful development of this unique project in the space of Romanian theatre is the result of the personal and professional effort of the actor Marcel Iureş, who managed to involve in the creation of “the theatre cave” prominent members of the profession, such as Tom Cruise, Sir Ian McKellen, Richard Eyre, Tom Stoppard, Dame Diana Rigg, Dame Judi Dench, Alan Bates, Alan Rickman, Ian Holm and Liviu Ciulei. Without their emotional and even financial involvement, this project might never have become real. The whole independent movement in Romanian theatre is inspired by the profesionalism, the dignity and the success of the “ACT” Theatre.

“The Theatre Maker” by Thomas Bernhard

 

The Theatre Maker is, in Alexandru Dabija's vision, a funny-bitter meditation on the times we live in. Marcel Iureş, who interprets Bruscon, composes not only a portrait, but also a self-portrait. In this sense the director declares: “I don't believe there is a more suitable moment in Romanian art to talk about the Actor and I don't believe there is a more suitable actor to talk about NOTHING than the most succesful Romanian actor of the moment”.

With: Marcel Iureş, Valeria Seciu, Constantin Drăgănescu, Afrodita Androne, Vitalie Bantaş

Direction: Alexandru Dabija

Stage set design: Irina Solomon

Translation: Alexandra Zoicaş

Duration: 2 hours and 10 minutes

Date of premiere: June 29, 2001

 

 

May 5, 2007, Stadt Theater, 20:00

 

MONDAY Theatre @ Green Hours LUNI Theatre

 

In 2007, Green Hours 22 jazz-café turned 13. It is known as one of the „oldest” jazz clubs and one of the most respected independent theatres in Romania. Every week the club hosts jazz, blues, electronic, alternative music nights, as well as theatrical shows, most of them in Off-Off Broadway style.

MONDAY Theatre was born in December 1997 as the first café-theatre in Romania. It stands apart from all other Romanian theatres because it provides culture consumers with a non-stop theatrical season and focuses consistently on promoting young directors, actors, and playwrights from Romania. Most of the plays are MONDAY Theatre own productions (more than 42 in almost 10 years). In 2005, the National Theatre Union in Romania (UNITER) honoured the theatre with the Award for Excellence, the equivalent of the TONY Awards in the United States.

 

MONDAY Theatre @ Green Hours won the Fringe-Project Award at the 2004 ESB Dublin Fringe Festival with two plays - You can't feel it here… and Bones for Otto both written by Lia Bugnar. The Sunshine Play, by the very young Romanian playwright Peca Ştefan, had the premiere during the next Dublin Fringe Festival (2005) and was awarded Best Play Relationship Drama by the Fringe Report in London (February 2006).
The Sunshine Play

by Peca Ştefan; directed by Ana Mărgineanu; with: Daniel Popa, Isabela Neamţu, Cosmin Seleşi; Stage design by Ina Isbăşescu. Duration: 1h 15min

 

One hot summer night, up on a Bucharest rooftop, DAN, a Romanian man who has just returned from Colombia, after a failed marriage and an arrest, regains hope and decides to make a new start in his native country with the unexpected help of an odd couple of ex-future fiancees: the undecided IZA, a Romanian young woman, and the impulsive TRIFOR, a Bulgarian man. With them, he plans a trip to the seaside, in his hometown, where he will meet his mother, after many years of separation.

He has to face failure, an ever-changing future, fears and hopes in the cool morning sunshine. This brings a bittersweet, sappy and quite unexpected resolution to his plans. The play tells the story of the homecoming of the young generation in post communist Romania: they are ready to return to a normal life in their home country, without fearing marginalization anymore.


You can’t feel it here by Lia Bugnar; directed by Alexandru Dabija; with: Dorina Chiriac & Daniel Popa; Stage design by Dragoş Buhagiar. Duration: 50 min

A play about a young man and a young woman to whom everything stinks. It's not a mistake, this is what the play is about. Everyone seems O.K., it is just that to them, all stinks.

They don't know each other, but the stink makes them find refuge somewhere above everything, where the air is in a way breathable. What can two people do, man and woman, who have to lay down for some time one beside the other? They tell each other things that they wouldn't tell their closest friend. Their dialogue, although sad, has the humour of things which are so commonplace that one wouldn't expect to read or see them in a play. A man and a woman forced to be together in the only place where the air is breathable. And because fresh air is good for the heart, and for the feelings as well, love is in the air...

“The Sunshine Play” - May 4, 5, 2007, Pygmalion, 20:15
May 14-16, 19:00
“You Can’t Feel it Here” - May 13, 15, 2007, Pygmalion, 19:00

 

 

 

Bulandra Theatre

 

Bulandra Theatre, founded, in 1947 is a public theatre subsidised by the City Hall and owes its name to the remarkable Romanian actress Lucia Sturdza Bulandra.

After her death, Liviu Ciulei, an actor, stage director, stage designer, architect, took the lead of the theatre and gave it an unmistakable style and a special vision by discovering great actors like Toma Caragiu, Octavian Cotescu, Clody Berthola, Gina Patrichi, Ileana Predescu.

Despite the communist censorship, Bulandra Theatre managed to keep its high artistic standards. Important names signed unforgetable performances: David Esrig, Radu Penciulescu, Andrei Şerban, Vlad Mugur, Valeriu Moisescu, Silviu Purcărete, Alexandru Tocilescu.

Elizaveta BAM

"Bulandra per musica” (an innovative programme that proposes a new theatrical vision where the opera combines with the play text) was inaugurated in 2006 by Bulandra Theater with the opera buffa “Elizaveta Bam”, signed by Irinel Anghel, after a text by Daniel Harms, directed by Alexandru Tocilescu.

Russian avant-garde author, Daniel Harms, a remarkable personality of the '20s - '30s in Stalinist Russia, is the creator of a troubling text.


In a violent world where anybody can be a victim, but especially a victim invented by the regime, paying with one’s life for a crime that never happened - there is a feeling of fear that reigns supreme and can almost become a national feeling in a country completely lacking landmarks.

An extraordinary surrealistic experiment with moving or frightening rhythms, with actors that sing and play, with life philosophies served in small staccato portions, with instrument players and a live choir on stage!

 

May 5-6, 2007, MQ, Halle E, 19:30

 

 

Masca Theatre, founded on May 24, 1990, is the only gesture, pantomime and body expression theatre in Romania. With a company made up of young professional actors, Masca Theatre is led by the actor and director MIHAI MĂLAIMARE.

 

Since it was established, Masca Theatre has been following two trends.

Masca Theatre

 

“STATUES”

 

The first is street theatre (where the range of shows includes clowns, commedia dell arte, mediaeval theatre, big puppets, living statues etc.) The second is indoor performances with an elaborate script originating in the works of great authors (N.V. Gogol, G.G. Marquez, E. Briusov, J.L. Borjes) and similar in point of style with dance-theatre, with no words or with a minimum of dialogue.

 


An innovative journey back in time, a fabulous performance with living statues, “revived” by the director in his attempt to make communication possible beyond language or time, two different worlds almost two millennia apart. The performance of “Masca” Theatre intends to recreate the atmosphere of the town Pompeii, burried in lava by the eruption of the Vesuvius in 79 A.D., after it was practically destroyed by an earthquake in 63 B.C.

Against a modern musical background, the statues stare at you without moving: you don't even realize they are actually human until they come to life. “The Statues” is not only a pantomime performance on a historical topic, but also a restoration of an apparently extinct world, with its entire load of normal feelings and gestures, a world that finally proves to be still alive. The statues are the witnesses, the bearers of a unique Roman sequence: their stiffness is not the stiffness of death, but of that of the forefather watching his descendents carefully.

 

 

 

May 4, 6, 2007, Prater, 12:00-20:00
May 5, 25, 26, 2007, Karlsplatz, 12:00-18:00

 

 

The Comic Opera for Children

 

The Comic Opera for Children is a state-subsidized institution for performing arts, subordinated to the board of Bucharest City Hall and it is unique in Romania and in the world.

It was founded on October 15, 1998 and established on January 16, 2003, with SMARANDA OTEANU-BUNEA as Founder Director and Viorica Petrovici as the Artistic Director.

The Comic Opera for Children features Romanian opera and ballet stars.

The season is between OCTOBER - JUNE, and performances are on Mondays and Tuesdays from 2.00 p.m. to 4.30 p.m., in the Small Auditorium of the National Children's Palace.

Over 140 performances are given every year and as many workshops, with a total audience of 40.000 and 40 works in the basic repertoire.

 

P Y G M A L I O N (pocket ballet)

 


Music: Ferdinand Loeve, Choreography: Mihai Babuska, Stage Set Designer: Viorica Petrovici

 

...Are you aware that Pygmalion has been around for the last 2000 years? He is said to have created a marble maiden, Galatheea, to have fallen in love with her, impetuously in love! and to have wept an ocean of hot tears until Afrodite, the goddess of love and beauty, moved by his deep feelings, turned the sculpture to life.

How they worked wonders in those days! Thanks to the goddess, Pygmalion's dream came true: Galatheea became his sweetheart...

See what love can achieve? It can give life to cold stone; it can turn a florist into a real lady, “My Fair Lady”, or a plain girl into a great dancer...

Just think that all this started 2000 years ago, with Pygmalion!...

 

Cast: Cătălin Caracaş, Oana Popescu, Vicenţiu Popescu, Bianca Stoicheciu, Florentina Răducu, Oana Bădănoiu, Mircea Ioniţă, Georgiana Stroe, Sorina Tiron, Valentino Tiron, Daniel Filipescu.

May 12-14, 2007, Prater, 12:00-20:00, Karlsplatz, 12:00-18:00

 

Ţăndărică Theatre

 

Ţăndărică puppet theatre was founded in 1949 and along its history, written by remarkable personalities, it has become a leader in animation theatre, reaching a top position at national level. Known worldwide, Ţăndărică has been awarded numerous and prestigious prizes (National Prize for Puppets, the Prize for Originality, the Prize for Creative Interference in Scenic Art, the Great Prize in the Festivals in Tolosa, Botoşani, Galaţi), for its innovative ways of expression.

The theatre has also designed a strategy in point of substance (a portfolio of national and international titles), it supports the artistic debut of young artists (by creating an Animart experimental studio), it organizes an international festival of collection performances that has reached the third edition.

 

 

 

The Goat and its Three Kids

 


The performance in German is based on a simple story, written by one of the classics of Romanian literature, Ion Creangă. The story is “read out” with charm, humour, in a parodic key. Universal human values like maternal love, the power of sacrifice, innocence, the relationship between parents and children, are illustrated with talent.

The framework is the one of the traditional Romanian village, the characters wear traditional folk costumes, the music has folk influences, good conquers evil.

 

Director: Gabriel Apostol; Stage Set Design: Cristina Pepino; Music: Dan Bălan

Cast: Ioana Chelaru Popovici, Liliana Gavrilescu, Mariana Zaharia, Cristian Mitescu, Claudiu Iordan.

 

May 4-6, 11-15, 2007, Prater, 12:00-20:00
Karlsplatz, 12:00-18:00

 

 

 

The „Ion Creangă” Theatre

was founded in 1965. The initiative belongs to Ion Lucian, an enthusiastic promoter of theatre for children.

From the very beginning, the theatre had an intense presence on the world stages (the tour in Japan, with “Funny stories with masks” in 1986, represents a national record in point of the number of performances abroad: 80 shows).

Once Cornel Todea became the theatre manager, the theatre intensified and modernised its programme. Beside theatrical performances, it is involved in new programmes and artistic, educational and social projects in partnership with organizations in the country and abroad.

Through professionalism, tradition and the promotion of culture and theatre for children, at national and international level (at the yearly festival organised by the theatre), “Ion Creangă” Theatre has become known on all continents.

 

Master Pathelin's Farce

 

 

Cornel Todea, who signs the stage direction and the adaptation of the text, (a masterpiece of French mediaeval drama whose author is anonymous), brings to light a fresh and savoury comedy of manners on the universal theme of the deceiver deceived, approached in a hilarious note.

The interest and the value of the play reside in the manner in which the topic is handled, combining realism and creativity, at text-level, as well as at language level, the language being vivid, maintaining its folk savour. With a minimal inventory of objects and a team of actors of great charm, the director portrays with refinement and precision manners and characters, without ignoring comic invention for a single moment. The gaiety and glamour of the show stem from the humorous way of “watching our, your, their small / big sins, from the gift of loving the word and making it grow in the most unexpected (yet possible) directions”.

 

May 11-14, Prater, 12:00-20:00, May 11-14, 25, 26, 2007, Karlsplatz, 12:00-18:00

 

 

Metropolis Theatre

 

 

Metropolis Theatre was established in 2006 by Bucharest City Hall, as the first project theatre in Romania. Its building is modern, the façade and interiors recall Hundertwasser's unique style. Through its projects, Metropolis offers its audience a wide range of performances:

from theatre and fusion sub-genders (with music, dance and video-installations) to rock, jazz and blues concerts in the ambience of a modern theatre hall, but also in unconventional spaces.

With avant-garde recipes for communicating with the audience, Metropolis wishes to be the meeting place of all those who cherish “the alternative” as a vital element.

 

Happenings

 

 

The theatre is pro multicultural values which are based on intercultural communication.

The social-cultural ideas and models are presented through drama speech.

They turn into significant elements and speak to people belonging to different ages and intercultural levels. The interactivity between the audience and actors is based on a desire to get involved in the actions proposed, discreetly guided by the stage director, in a magic atmosphere. Performing together with the Romanian actors, any citizen of Vienna, himself turned into an actor, will have the opportunity to experience a simple truth: that culture is the most important element of communication between peoples.

”Metropolis” wishes to support the common intercultural European space, based on communication, art and information. The happenings are created under a general common concept.

 

 

 

May 4-6, 11-17, 25-26, 2007, KarntnerSt, 16:00-22:00
Parter&Karlsplatz, 12:00-20:00
May 4-5, 14-16, 2007, MQ, 16:00-18:00

 


©2007 Primăria Municipiului Bucureşti şi World Trade Center - Bucuresti